Volume 63, Issue 4 (2021)
Articles
Peter Hujar: Shamelessness Without Shame
Harrison Adams
Narrating General Performance: Art, Life, and Labor in Niña Weijers’s 'The Consequences' and Tom McCarthy’s 'Satin Island'
Stephan Besser
From New Criticism to Postcritique: Kate Millett’s Method in the History of the Present
Leah Claire Allen
Nature, Capitalism, and the Temporalities of Sleep: On Karen Thompson Walker's The Dreamers
Greg Forter
Book Reviews
A Field in Formation: Intersectionality is/as Social Justice
Lee Y. Weeks Jr.
On Not Already Knowing
J.D. Porter
CriticismJrnl