Home > WSU Press > Criticism > Vol. 61 (2019) > Iss. 3
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Front MatterCriticism Editors
What We Can Learn from the Philologist in FictionKaty Brundan
The Morbidity of Maternity: Radical Receptivity in Maggie Nelson’s The ArgonautsKatie Collins
On Queer Neutrality: Disaffection in the Fashion Photo Story "Paradise Lost"Roberto Filippello
Taboo, Disaster, and Acoustic Reminders in Ruth Almog and Yehudit HendelMichal Ben-Horin
Deforming Shakespeare’s Sonnets: Topic Models as PoemsAmanda Henrichs
Review of Robert Stilling's Beginning at the End: Decadence, Modernism, and Postcolonial PoetryRajeev Patke
Genealogies of Queerness on the Modernist Stage: But, Where's the Performance?Joseph Cermatori
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