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Volume 43, Issue 3 (2001)

Articles

‘‘Monstrous Manner’’: Style and the Early Modern Theater
Amanda Bailey

Introduction to Erich Auerbach, ‘‘Passio as Passion’’ [‘‘Passio als Leidenschaft’’]*
Martin Elsky

Herrick, Hollar, and the Tradescants: Piecing Together a Seventeenth-Century Triptych
Thomas Moisan

Besonnenheit, Ekphrasis and the Disappearing Subject in E. T. A. Hoffmann’s ‘‘Die Fermate’’
William Kumbier

Book Review

Book Reviews
Criticism Editors

Criticism 43.3

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