Home > WSU Press > Criticism > Vol. 42 (2000) > Iss. 1
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Radical Criticism and the Myth of the Split SelfLin Zou
Theater of Anxiety in Shelley’s The Cenci and Musset’s LorenzaccioRÉmy Roussetzki
Familiarity of the Strange: Japan’s Gothic TraditionHenry J. Hughes
Women’s Friendship and the Refusal of Lesbian Desire in The Faerie QueeneTracey Sedinger
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