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Front Matter
Antipodes Editors

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Poetry and Creative Writing
Antipodes Editors

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Suburban Space and Multicultural Identities in Christos Tsiolkas's The Slap
Nicholas Dunlop

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The Politics of Possession in Paddy O’Reilly’s The Factory
Timothy Kazuo Steains

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Multicultural Identity and Matters of Gender in Melina Marchetta's Looking for Alibrandi
H. N. Prakrithi

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The Name Inside the Name: On the Poetry of Kevin Hart
David Mason

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Mother to Other: Feminine Becoming in Fiona McGregor’s Indelible Ink
Belinda Burns

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Form, Experience And Desire: Frank Moorhouse’s 1970s Cycles as Experimental Writing
Adam Gall

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Three Tales for Emmie: Joan Wise’s Forgotten Tasmanian Triptych
Ralph Crane and Danielle Wood

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“The Distance between Them”: Sheep, Women, and Violence in Evie Wyld’s All the Birds, Singing and Barbara Baynton’s Bush Studies
Lucy Neave

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The Silence of the Lambs: Childhood Disabilities, Gender Ambiguities, and Postcolonial Detectives in Keri Hulme’s The Bone People and Peter Høeg’s Smilla’s Sense of Snow
Richard Hardack

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Enemies of Honor: Heroes and Prisoners of War in Richard Flanagan’s The Narrow Road to the Deep North and Tom Keneally’s Shame and the Captives
Fiona Duthie

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Very Queer Indeed: Martin Boyd’s Nuns in Jeopardy
Greg Hughes

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Communism Usurping Fascism: Political Propaganda in Jean Devanny’s Roll Back the Night and Dymphna Cusack’s Heat Wave in Berlin
Kirril Robert Shields

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“Not Me Go to England No More”: Michael Farrell’s Writing Australian Unsettlement
U. S. Dhuga

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Book Reviews
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Contributors
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