Volume 33, Issue 1 (2019) Alexis Wright
Articles
The Embrace of Ambiguity in Joan Lindsay’s Picnic at Hanging Rock and Henry James’s The Turn of the Screw
Suzie Gibson
Applying Rasa Theory in David Williamson’s The Removalists
Arnab Chatterjee
A Fleeting Infatuation with All Things Australian: American Editions of Australian Novels, 1979–1989
Roger Osborne
Introduction: Alexis Wright’s Significant, Growing Oeuvre
Belinda Wheeler
Traces of Territory: Alexis Wright’s Grog War (1997)
Geoff Rodoreda
“In My Mind I See Cross-Roads for Everything I Believe In”: The Way Home in Alexis Wright’s Croire en l’incroyable (Believe in the Unbelievable) and Le Pacte du serpent arc-en-ciel
Estelle Castro-Koshy and Philippe Guerre
Alexis Wright’s Publishing History in Three Contexts: Australian Aboriginal, National, and International
Per Henningsgaard
Poetry
Portrait of Departure
Paul Mitchell
Snow, Cockatoo
Alastair Clarke
Revelation in Troyes
Ron Wilkins
Too much, and still quite cold
Anna Jackson
Beach Ballet
Nathanael O'Reilly
Weeding: a love poem
Brendan Ryan
Postponement (translated by Matina Doumou)
Dimitris Tsaloumas
Book Review
Book Reviews
Antipodes Editors
Contributors
Contributors
Antipodes Editors
Fiction and Creative Nonfiction
This Is a Difficult Piece to Write
Soren Tae Smith
We Will Warm Ourselves
Ben Walter
This Is It
Heather Taylor-Johnson
Suspension . . .
Sue Joseph
23 Tiny Stories
Ouyang Yu
