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Rushton Journal of Undergraduate Humanities Research

Abstract

This paper examines cultural resistance in Viet Nam’s video game industry through the case of 7554, the country’s first indie, first-person shooter. Piracy, normalized by economic hardship and distrust of capitalist systems, both enabled access and undermined domestic creativity. Viet Nam’s shifting intellectual property laws reflected broader balancing between socialist sovereignty and global economic integration. By situating 7554 within Viet Nam’s historical context from colonial resistance to socio-economic reforms, this study argues that piracy functioned not only as economic necessity but also as a decolonial practice shaping cultural sovereignty.

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