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Rushton Journal of Undergraduate Humanities Research

Abstract

This paper examines the relationship between theatrical drag portrayals and American social perception of LGBTQ+ through an analysis of drag characters in theater. This inquiry discusses whether these portrayals influence language towards LGBTQ+ in American culture. Two cases—Knock ‘Em Dead and Kinky Boots—reveal differing attitudes: one being more stereotypical and inauthentic, while the other offers more authentic nuances to queer experience. Findings indicate that the context in which shows are created heavily influences which language attitudes get adapted by the show and advertised to audiences.

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