Document Type
Article
Abstract
My work explores the importance and presence of the female body in medieval religious practice as exemplified in medieval art, religious texts and hagiographies. My research shows that while the reasoning behind female imagery and imagery of the nude is disputed, the prevalence of mandorla-like images, images of the female nude, and images displaying the femininity of Christ suggest the meaningfulness to the medieval viewer. I discuss extensively Julia Kristeva’s writing on the woman as abject and the artistic experience as an element of religiosity. For this research I analyzed works by various artists including Robert Campin, Jan Gossaert and Jacob Cornelisz, as well as explore Caroline Walker Bynum’s work Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion, and The Lady as Saint: A Collection of French Hagiographic Romances of the Thirteenth Century by Brigitte Cazelles.
Disciplines
Art Practice | Arts and Humanities | Fine Arts | History of Art, Architecture, and Archaeology | Medieval Studies | Other Feminist, Gender, and Sexuality Studies | Other Religion
Recommended Citation
Marzec, Megan E., "Female Flesh and Medieval Practice in the Later Middle Ages" (2012). Mid-America College Art Association Conference 2012 Digital Publications. 13.
https://digitalcommons.wayne.edu/macaa2012scholarship/13
Included in
Art Practice Commons, Fine Arts Commons, History of Art, Architecture, and Archaeology Commons, Medieval Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Religion Commons
Link to Associated Event
Teaching Cruel and Abject Art (http://digitalcommons.wayne.edu/macaa2012/2012/oct05/6/)