Submissions from 2013
Incorporating Historic Preservation into an Accredited Interior Design Program, Reasoning and Application, Jenna M. Woodcox
Submissions from 2012
Show me the Semiosis: Grounding Post Structural Theory in Physiological Experience, Michael T. Arrigo
How to Produce Articulate Artists, Peter J. Barr PhD and Christine Reising
The Self in Multiple: The Lithographic Portraits of L'Artiste (1832-34), Sean DeLouche
Elke Krystufek and the Obessive Production of Person, Melanie E. Emerson
The Prosthetic Aesthetic: An Art of Anxious Extensions, Tiffany Funk
Photography Whatever We Want It to Be, Jyl A. Kelley
A Sketch of the Affective Classroom: Abject Art, Patrick Kinsman
Dreaming in Analog: The marriage of vintage photographic process and the contemporary world., Lynn M. Lee
Female Flesh and Medieval Practice in the Later Middle Ages, Megan E. Marzec
From Playground to Fetish: The Identity of (the) Mary Jane, Georgina Ruff
Intimate Distance: Negotiating the Urban/Suburban Divide, Whitney L. Sage
Revitalizing Cities: Adaptive Reuse of Historic Structures, Sara E. Sharpe
Snapshots, Clichés and Simulacra, Millee Tibbs
Creating with Code: Critical Thinking and Digital Foundations, Brad Tober
Re-Purposing the Elderly Body, Charlotte H. Wellman