Volume 57, Issue 2 (2016)
Editorial
Essays
The Film That Almost Was: John Fowles’s “The Black Thumb” and His Collaboration with David Tringham
Michelle Phillips Buchberger
Jean-Louis Comolli’s Secret Life as a Free Jazz Critic/Thinking Free Jazz as an Avant-Garde of the Masses
Matthias Mushinski
Criminalizing Dissent: Western State Repression, Video Activism, and Counter-Summit Protests
Chris Robé
Interview
Orpheus of Nitrate: The Emergence of Bill Morrison
Scott MacDonald
