Volume 53, Issue 1 (2013)
Editor's Notes
Introduction
Introduction
Elena Gorfinkel
Introduction: Cinema and the Realities of Work
Ewa Mazierska
Articles
Rending the Veils of Illusion: W. Somerset Maugham's The Letter and Its Two Definitive Film Interpretations
John Thomas McGuire
Belabored: Style as Work
John David Rhodes
Wastrels of Time: Slow Cinema's Laboring Body, the Political Spectator, and the Queer
Karl Schoonover
The State of Labor and Labor for the State: Syrian and Egyptian Cinema beyond the 2011 Uprisings
Kay Dickinson
Picturing The Postmaster: Tagore, Ray, and the making of an Uncanny Modernity
Mrinalini Chakravorty
French Film and Work: The Work Done by Work-Centered Films
Martin O'Shaughnessy
Cinema, the Post-Fordist Worker, and Immaterial Labor: From Post-Hollywood to the European Art Film
Michael Goddard University of Salford and Benjamin Halligan
The Work of the Image
- Guest Editors
- Elena Gorfinkel and Ewa Mazierska