Volume 50, Issue 1 (2009) Double Issue: Reenactment Dossier and Cinephilia Dossier
Editor's Notes
Introduction
Introduction
Jonathan Buchsbaum and Elena Gorfinkel
Articles
Edward Said’s Nazareth
Susan Slyomovics
Introduction: What Now? Presenting Reenactment
Jonathan Kahana
The Black Holes of History: Raoul Peck’s Two Lumumbas
Christopher Pavsek
Shattering Silence: Traumatic Memory and Reenactment in Rithy Panh’s S-21: The Khmer Rouge Killing Machine
Deirdre Boyle
The Real Movie: Reenactment, Spectacle, and Recovery in Pierre Huyghe’s The Third Memory
Ruth Erickson
New Left-Wing Melancholy: Mark Tribe’s “The Port Huron Project” and the Politics of Reenactment
Paige Sarlin
Reply to Cinephilia Survey
Jonathan Rosenbaum
“They are like black lakes troubled by fantastic moons”
Ken Eisenstein
Some Reflections on the Cinephilia Question
Laura Mulvey
Cinephilia and the Imagination of Filmmaking
Chris Fujiwara
Philistines
and Cinephiles:
The New Deal
Laurent Jullier
On the Politica Challenges of the Cinephile Today
Zachary Campbell
Cinematic Promiscuity: Cinephilia after Videophilia
Lucas Hilderbrand
What Is Being Fought For by Today’s Cinephilia(s)?
Girish Shambu
Cinephilia as War Machine
Adrian Martin
Regarding Cinephilia and Africa
Aboubakar Sanogo
Book Review
Crossing Cultures
Joanna Rydzewska