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Editorial
Drake Stutesman

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The Three Sam Spades The Shifting Model of American Masculinity in the Three Films of The Maltese Falcon
Philippa Gates

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The Language of Real Life: Interview with Ousmane Sembène
Kwate Nee Owoo

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Art for Man’s Sake: A Tribute to Ousmane Sembène
Samba Gadjigo

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A Full Integration with Film History: A Tribute to Ingmar Bergman
Astrid Söderbergh Widding

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Antonioni and the Place of Modernity: A Tribute
Laura Rascaroli and John Davids Rhodes

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Morphing Realities: The Current Status of the Real in Film and Television
Nitzan Ben Shaul

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Family Secrets: Alan Berliner’s Nobody’s Business and the (American) Jewish Autobiographical Film
Michael Renov

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Self-Despotism: Reality Television and the New Subject of Politics
Jérôme Bourdon

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The Postcolonial Function of Television’s Virtual Space in ’90s Israeli Cinema
Yael Munk

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Phantasmatic Losses: National Traumas, Masculinity, and Primal Scenes in Israeli Cinema—Walk on Water
Raz Yosef

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Absence as Presence, Presence as Parapraxis: On Some Problems of Representing “Jews” in the New German Cinema
Thomas Elsaesser

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Chronic Trauma, the Sound of Terror, and Current Israeli Cinema
Raya Morag

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History’s Broken Wings: “Narrative Paralysis” as Resistance to History in Amos Gitai’s Film Kedma
Nurith Gertz

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The Young, the Damned, and the Restless: Youth in Contemporary Mexican Cinema
Laura Podalsky

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45th New York Film Festival
Drake Stutesman

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Women at the Movies
Irina Leimbacher