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Volume 46, Issue 1 (2005)

Introduction

Another Cinephilia: Women’s Cinema in the 1920s
Rosanna Maule and Catherine Russell

Articles

Myth and Narration in Godard’s Hélas pour moi
Sally Shafto

Collection/Recollection: An Interview with Matthias Müller
Scott MacDonald

Mel Hoppenheim School of Cinema, "Objects Became Witnesses": Ève Francis and the Emergence of French Cinephilia and Film Criticism
Paula Amad

Historical Predictions, Contemporary Predilections: Reading Feminist Theory Close Up
Amelie Hastie

Mobilizing the Museum: Film at the Metropolitan Museum of Art in the 1920s
Haidee Wasson

An Artist’s Hands: Stella Simon, Modernist Synthesis, and Narrative Resistance
Jennifer Wild

Light, Motion, Cinema!: The Heritage of Loïe Fuller and Germaine Dulac
Tom Gunning

Review

Moretti as a Postmodern Ironist in Mazierska and Rascaroli’s The Cinema of Nanni Moretti
Abele Longo