Volume 38, Issue 2 (2016)
Articles
Miraculous Mathematics: André Bazin’s Film Theory
Angela Dalle Vacche
Cruel Attachments, Tender Counterpoints: Configuring the Collective in Michael Haneke’s The White Ribbon
Claudia Breger
Introduction to the Dossier "Is the Moving Image an Object?"
Brian Price and Alessandra Raengo
On the Impossibility of Object-Oriented Film Theory
Luka Arsenjuk
The Displacement Project
Brian Price
Black Matters
Alessandra Raengo
Ec-Static Air: The Unseeable Sounds of Being Beside Oneself
Kristopher L. Cannon
Book Reviews
Roxana and Other Feminist (Hi)stories
Lenka Vráblíková
The Torturer’s Smile as the Stain of Enjoyment
Matthew Flisfeder
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