Names on Trees: Ariosto into Art (Rensselaer W. Lee) (Reviewed by R. W. Hanning, Columbia University)The Growth of a Personal Voice: Piers Plowman and The Faerie Queene (Judith H. Anderson) (Reviewed by Judith Dundas, University of Illinois)The Harmonies of "The Merchant of Venice" (Lawrence Danson) (Reviewed by Marilyn Williamson, Wayne State University)Virginia Woolf: Sources of Madness and Art (Jean O. Love) (Reviewed by Diane Filby Gillespie, Washington State University)Augustus Caesar in "Augustan" England: The Decline of a Classical Norm (Howard D. Weinbrot) (Reviewed by Thomas E. Maresca, State University of New York at Stony Brook)Carlyle and Emerson: That Long Debate (Kenneth Marc Harris) (Reviewed by Joel Porte, Harvard University)The Slender Human Word: Emerson's Artistry in Prose (William J. Sheick) (Reviewed by Joel Porte, Harvard University)Hermann Hesse: Biography and Bibliography (Joseph Mileck) (Reviewed by John D. Simons, Florida State University)What Will Have Happened: A Philosophical and Technical Essay on Mystery Stories (Robert Champigny) (Reviewed by John G. Cawelti, University of Chicago)Anatomy of the Spy Thriller (Bruce Merry) (Reviewed by John G. Cawelti, University of Chicago)Nature and the Victorian Imagination (U. C. Knoepflmacher and G. B. Tennyson) (Reviewed by John R. Reed, Wayne State University)The Tragic Vision of Joyce Carol Oates (Mary Kathryn) (Reviewed by Joanne V. Creighton, Wayne State University)
Criticism: Vol. 21:
1, Article 4.
Available at: https://digitalcommons.wayne.edu/criticism/vol21/iss1/4