Abstract
Brian Castro’s Blindness and Rage: A Phantasmagoria is a verse novel published in 2017 and the unlikely winner of a Prime Minister’s Award in 2018. This article concentrates on the role of France and French referents in the text, showing that they embody a literary, transnational cosmopolitanism that the text at once hails and critiques. Beneath the gaudy and flashy serve of the novel's erudite sheen, a self-questioning or even self-vexation occurs, where the text gets in the way of itself. By ironizing its protagonist, Lucien Gracq, and presenting the alternate personas of Catherine Bourgeois and the Dogman, and examining the realization that Gracq’s writerly quest is also a propulsion toward his own demise, we see that the text’s literariness is a kind of disguise. Yet the text’s self-vexation does not involute it further; rather, it provides a way for readerly access into the poem, helping explain why, unexpectedly, this has proven to be Castro’s most popular work with the Australian reading public.
Recommended Citation
Birns, Nicholas
(2020)
"No Crossword or Chiasmus: The Self-Vexing of Literariness in Brian Castro’s Blindness and Rage,"
Antipodes: Vol. 34:
Iss.
1, Article 6.
Available at:
https://digitalcommons.wayne.edu/antipodes/vol34/iss1/6