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Document Type

Article

Abstract

This essay attempts to excavate the contours of Jack Smith's anti-capitalist critique by analyzing the artist's use of objects and commodities, his economy of time and his engagement with technology. In so doing, it hopes to provide a materialist understanding of Smith's work and of the nature of work therein. This analysis provides the substantiation to the much-cited, but rarely explored notion of "landlordism" in Smith's cosmology.

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