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Abstract

In this article I discuss the “unnatural” as depicted in experimental Victorian and post-modern fairy tales, and I argue for thinking about cognitive narratology, fairy-tale studies, and a re-elaborated uncanny together. The article showcases how specific Victorian and postmodern fairy tales focus on reshaping fairy-tale tropes in surprising and defamiliarizing ways. I focus on how the complex figure of the mirror, the feeling of wonder and the wondrous features of fairy tales, and the idea of hybridity as a manifestation of complexity and heterogeneity, all contribute to the uncanny in literary fairy tales by Lewis Carroll and Italo Calvino.

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