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Abstract

Eric Smoodin, Guest Editor
Introduction: French Cinema at the Margins

Annie Fee
Cinephiles, Criminals, and Children: Discourses and Practices of Cinema Education in 1920s Paris

Brian R. Jacobson
Toward a History of French Ecocinema: Nature in Dimitri Kirsanoff’s Modernity

Jennifer Wild
For a Concrete Aesthetics: Against Avant-Garde Films c. 1930

Sabine Haenni
“To Show the People in Paris How We Live Here”: Working-Class Representation, Paul Carpita, and Film History

Eric Smoodin
“The Last Amateurs of Pure Cinema”: Ciné-Clubs and French Film Culture, 1930–1945

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