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Editorial
Drake Stutesman and Susan Potter

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Archival Film Practice Behind Off Frame: Unravelling Cinematic Solidarities in the Palestinian Struggle for Liberation
Sima Kokotovic

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Pier Paolo Pasolini’s Centenary Retrospective: Film Culture in Action
Jane Mills

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Introducing Accattone
Jane Mills

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Introducing Mamma Roma
Giorgia Alù

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Pasolini’s Poetic Image: Il vangelo secondo Matteo/The Gospel According to Matthew
Bruce Isaacs

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Introducing Uccellacci e uccellini/The Hawks and the Sparrows
Nicky Hannan

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Introducing Edipo re/Oedipus Rex
James Vaughan

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Introducing Teorema/Theorem
Philippa Hawker

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Introducing Porcile/Pigsty
Janice Tong

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Introducing Medea
Angelica Waite

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Pier Paolo Pasolini’s The Trilogy of Life: Il Decameron/The Decameron; I racconti di Canterbury/The Canterbury Tales; Il fiore delle mille e una notte/Arabian Nights: Guest Editor Introduction
Jane Mills

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Pier Paolo Pasolini’s Il Decameron/The Decameron
Trevor Graham

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Pasolini and the Queer Lens: Il Decameron/The Decameron
Angelita Graham

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Pasolini, Poet of the People: I racconti di Canterbury/The Canterbury Tales
Danielle McGrane

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Introducing Il fiore delle mille e una notte/Arabian Nights
John McDonald

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Introducing Salò o le 120 giornate di Sodoma/Salò, or the 120 Days of Sodom
Catharine Lumby

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A Roundtable Discussion: Pier Paolo Pasolini: Poetry, Politics, and Provocation
Lauren Aimee Curtis, Bruce Isaacs, Jane Mills, Susanna Scarparo, and James Vaughan

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Il diverso (the different one)
Susan Potter

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Reclaiming Identity: The Cinematic Activist Journey of Afro-Argentinian Director Wisny Dorce and His Film Production Company “Black Existencia Films”: Interview with Wisny Dorce
Nicole Bonino and Hiromi Kaneda