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Volume 42, Issue 1 (2020) Cinema, Modernism, and the Perplexing Methods of Stanley Cavell (Double Issue)

Introduction

Introduction
Jennifer Fay and Daniel Morgan

Articles

The World Heard
Kyle Stevens

Between Scylla and Charybdis: Toward a Viable Medium Specificity
Kathleen Kelley

Attending to Film: The World Viewed and Cinematic Political Thinking
Davide Panagia

Must We Mean What We Film? Stanley Cavell and the Candid Camera
Jennifer Fay

When There’s No More Room in Hell, Should We Read Stanley Cavell?
James McFarland

Turning to Nature: Cavell and Experimental Cinema
Dave Burnham

Modernist Investigations: A Reading of The World Viewed
Daniel Morgan

Book Reviews

Modernizing the Movie Theater: Review of The Optical Vacuum: Spectatorship and Modernized American Theater Architecture by Jocelyn J. Szczepaniak-Gillece
Marsha Gordon

Complicating the “Good War”: Review of Destructive Sublime: World War II in American Film and Media by Tanine Allison
Eileen Rositzka

Do Borgesians Dream of Transcendent Totality?: Review of Tar for Mortar: “The Library of Babel” and the Dream of Totality by Jonathan Basile
Sarah Warren

Contributor

Contributors
Discourse Editors

Guest Editors

Jennifer Fay

Daniel Morgan

Purchase Discourse issue 42.1-2 (Cinema, Modernism, and the Perplexing Methods of Stanley Cavell) in print