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Abstract

Common critical readings of "Snow White" focus on the way in which the story allows child readers to explore their taboo feelings about interfamilial conflict, but in this essay I make a case for a different interpretation. Drawing on the narrative origins, original audience, and publication history of the tale, I argue that the ongoing appeal of "Snow White" is not that it allows young people to work through psychological jealousy for their mother but rather - and much more disturbingly - that it allows the nation's parents the opportunity to indulge in homicidal fantasies toward their children.

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