From Dossier: Cinema as Timepiece: Critical Perspectives on The Clock
Research contributing to this essay was supported by a University of Otago Humanities Research Grant. Th anks also go to Michael Pigott for his advice on images, to Electronic Arts Intermix for access to Ken Jacobs’ work, and to Martin Janda Gallery for Martin Arnold’s images.
"The Clock: Gesture and Cinematic Replaying,"
Framework: The Journal of Cinema and Media:
2, Article 12.
Available at: http://digitalcommons.wayne.edu/framework/vol54/iss2/12