Toward the Development of a Modern “Impressionist” Cinema: Germaine Dulac’s La Belle Dame sans merci (1921) and the Deconstruction of the Femme Fatale Archetype

Authors

Tami Williams

Recommended Citation

Williams, Tami (2010) "Toward the Development of a Modern “Impressionist” Cinema: Germaine Dulac’s La Belle Dame sans merci (1921) and the Deconstruction of the Femme Fatale Archetype," Framework: The Journal of Cinema and Media: Vol. 51: Iss. 2, Article 15.
Available at: https://digitalcommons.wayne.edu/framework/vol51/iss2/15