Cover Page Footnote
The epigraphs in this essay are from Tiqqun, Introduction to Civil War, trans. Alexander R. Galloway and Jason E. Smith (Los Angeles: Semiotext(e), 2006), 214; Ralph Ellison, Invisible Man (1952; New York: Vintage, 1990), 581; Franz Fanon, Black Skin, White Masks, 1952 (New York: Grove Press, 2008), 95; and Jacques Derrida, Right of Inspection, trans. David Wills (New York: Moncelli, 1998), xxxvi.
Recommended Citation
Alexander, Travis
(2024)
""Those things you see through": Photography, Invisibility, and Blackness as Film in Jordan Peele’s Get Out,"
Discourse: Journal for Theoretical Studies in Media and Culture: Vol. 46:
Iss.
3, Article 5.
Available at:
https://digitalcommons.wayne.edu/discourse/vol46/iss3/5