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Discourse: Journal for Theoretical Studies in Media and Culture

Discourse: Journal for Theoretical Studies in Media and Culture

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Home > WSU Press > DISCOURSE > Vol. 17 (1995) > Iss. 3

 

Volume 17, Issue 3 (1995) Views from the Post-Future/Soviet & Eastern European Cinema

Introduction

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Introduction: Views from the Post-Future
Jane Gaines and Thomas Lahusen

Articles

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Notes on Women and Film
Maya Turovskaya

PDF

Exile and Return: Jewish Identity in Post-Communist Hungarian Cinema
Catherine Portuges

PDF

Why Stalinist Musicals?
Trudy Anderson

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Soviet Comedy Film; or, The Carnival of Authority
Evgeny Dobrenko

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Thousand and One Nights in Stalinist Culture: Far from Moscow
Thomas Lahusen

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Post-Soviet Cinematic Nostalgia: From "Elite Cinema" to Soap Opera
Svetlana Boym

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Pudovkin and the Continuity Style: Problems of Space and Narration
Vance Kepley Jr.

PDF

Revolutionary Theory/Prerevolutionary Melodrama
Jane Gaines

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The Case of the Bioscope Beetle: Starewicz's Answer to Genetics
Yuri Tsivian

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"fake intimacy": Locating National Identity in Dennis O'Rourke's The Good Woman of Bangkok
Karen Shimakawa

Book Review

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Book Reviews
Discourse Editors

Contributors

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Books Received
Discourse Editors

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Contributors
Discourse Editors

 
 
 
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