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Fearless Girls, Wise Women, and Beloved Sisters: Heroines in Folktales fromaround theWorld. Edited by Kathleen Ragan.
Review by Kimberly J. Lau.

Contes I: Les contes de fées. Contes II: Contes nouveaux ou Les fées à la mode. By Mme d’Aulnoy. Tricentennial Edition by Jacques Barchilon and Philippe Hourcarde.
Review by Harold Neemann.

The Golden Axe and Other Folk Tales of Compassion and Greed. Retold by Ruth Stotter.
Review by Faye Stephens.

Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales. Edited by Kate Bernheimer.
Review by Rose Lovell-Smith.

Grimm Tales. Adapted by Carol Ann Duffy. Dramatized by Tim Supple. Directed by Mary Hall Surface.
Review by Margaret Yocom.

Ever After. Directed by Andy Tennant.
Review by Cathy Lynn Preston.

The Marvelous Adventures of Pierre Baptiste, Father and Mother, First and Last. By Patricia Eakins.
Review by Morgan Blair.

Little Red Riding Hood in the Red Light District. By Manlio Argueta. Translated by Edward Waters Hood.
Review by JoAnn Conrad.

Motif-Index of Medieval Spanish Folk Narratives. By Harriet Goldberg.
Review by Maria Jesús Lacarra.

Fremdheitserfahrungen am Tisch des europäischen Märchens: Ein Beitrag zur Kulturthemenforschung interkultureller Germanistik. By Tanja Kodisch.
Review by Ruth B. Bottigheimer.

Grimms Märchen und ihre Quellen: Die literarischen Vorlagen der Grimmschen Märchen synoptisch vorgestellt und kommentiert. Edited by Heinz Rolleke.
Review by James M. McGlathery.

Scheherazade’s Sisters: Trickster Heroines and Their Stories in World Literature. By Marilyn Jurich.
Review by Regina Bendix.

Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture. By Lori Landay.
Review by Kristin M. McAndrews.

Happily Ever After: Fairy Tales, Children, and the Culture Industry. By Jack Zipes.
Review by Jan Susina.

No Go the Bogeyman: Scaring, Lulling, and Making Mock. By Marina Warner.
Review by Thomas F. Dillingham.

Strange and Secret Peoples: Fairies and Victorian Consciousness. By Carole G. Silver.
Review by Roderick McGillis.