Submissions from 2013
Incorporating Historic Preservation into an Accredited Interior Design Program, Reasoning and Application, Jenna M. Woodcox
Submissions from 2012
Show me the Semiosis: Grounding Post Structural Theory in Physiological Experience, Michael T. Arrigo
How to Produce Articulate Artists, Peter J. Barr PhD and Christine Reising
Passability and Impassability of Two Gates, Nogin Chung
The Self in Multiple: The Lithographic Portraits of L'Artiste (1832-34), Sean DeLouche
Elke Krystufek and the Obessive Production of Person, Melanie E. Emerson
The Prosthetic Aesthetic: An Art of Anxious Extensions, Tiffany Funk
Photography Whatever We Want It to Be, Jyl A. Kelley
A Sketch of the Affective Classroom: Abject Art, Patrick Kinsman
Dreaming in Analog: The marriage of vintage photographic process and the contemporary world., Lynn M. Lee
Female Flesh and Medieval Practice in the Later Middle Ages, Megan E. Marzec
From Playground to Fetish: The Identity of (the) Mary Jane, Georgina Ruff
Intimate Distance: Negotiating the Urban/Suburban Divide, Whitney L. Sage
Revitalizing Cities: Adaptive Reuse of Historic Structures, Sara E. Sharpe
Snapshots, Clichés and Simulacra, Millee Tibbs
Creating with Code: Critical Thinking and Digital Foundations, Brad Tober
Re-Purposing the Elderly Body, Charlotte H. Wellman