I graciously acknowledge my Albanian colleagues, Kujtim Çashku, Natasha Lako, Faruk Basha, and Andrea Lekaj, whose ideas were extremely helpful in the preparation of this manuscript. I am especially grateful to Eriona Vyshka of the Albanian State Film Archives for invaluable assistance with stills and materials. Special recognition, moreover, goes out to my colleagues and students at the Marubi School of Film and Multimedia in Tirana. Xhanfise Keko’s son, Ilir Keko, and niece, Adriana Çipi, off ered considerable inspiration and encouragement. From the point of view of international reception, the comments of Charlotte Nekola, George Robb, and James Miles were most insightful.
"Two Degrees of Separation: Xhanfise Keko and the Albanian Children’s Film,"
Framework: The Journal of Cinema and Media:
1, Article 3.
Available at: http://digitalcommons.wayne.edu/framework/vol54/iss1/3