De-Linearizing Musical Continuity: John Cage's Aesthetics of "Interpenetration without Obstruction"

Authors

Daniel Charles

Recommended Citation

Charles, Daniel (1990) "De-Linearizing Musical Continuity: John Cage's Aesthetics of "Interpenetration without Obstruction"," Discourse: Journal for Theoretical Studies in Media and Culture: Vol. 12: Iss. 1, Article 2.
Available at: https://digitalcommons.wayne.edu/discourse/vol12/iss1/2