Evolution in the Arts and Other Theories of Culture History (Thomas Munro) (Reviewed by Herbert M. Schueller, Wayne State University)The Ethos of the Song of Roland (George Fenwick Jones) (Reviewed by William S. Woods, Newcomb College, Tulane University)Dryden and the Conservative Myth: A Reading of Absalom and Achitophel (Bernard N. Schilling) (Reviewed by Curt A. Zimansky, University of Iowa)The Idea of Coleridge's Criticism (Richard Harter Fogle) (Reviewed by Robert F. Gleckner, University of California, Riverside)The Poetic Voices of Coleridge (Max F. Schulz) (Reviewed by Robert F. Gleckner, University of California, Riverside)The Structure of Byron's Major Poems (William H. Marshall) (Reviewed by James V. Baker, University of Houston)The Eternal Present: A Contribution on Constancy and Change (S. Giedion) (Reviewed by Ernst Scheyer, Wayne State University)The Newgate Novel - 1830-1847 (Keith Hollingsworth) (Reviewed by Arthur C. Young, Rutgers University)Henry James and the Dramatic Analogy: A Study of the Major Novels of the Middle Period (Joseph Wiesenfarth) (Reviewed by Leo B. Levy, Arizona State University)The Still Point: Theme and Variations in the Writings of T. S. Eliot, Coleridge, Yeats, Henry James, Virginia Woolf, and D. H. Lawrence (Ethel F. Cornwell) (Reviewed by James Benziger, Southern Illinois University)
Criticism: Vol. 6
, Article 7.
Available at: http://digitalcommons.wayne.edu/criticism/vol6/iss2/7