Beyond Poststructuralism: The Speculations of Theory and the Experience of Reading (Ed. by Wendell V. Harris) (Reviewed by Brian G. Caraher, Queen's University of Belfast)
Sacrificing Commentary: Reading the End of Literature (Sandor Goodhart) (Reviewed by Leslie Brisman, Yale University)
Shakespeare among the Moderns (Richard Halpern) (Reviewed by Donald K. Hedrick, Charles University, Prague)
Wollstonecraft's Daughters: Womanhood in England and France, 1780-1920 (Ed. Clarissa Campbell Orr) (Reviewed by Beth Lau, California State, Long Beach)
High Contrast: Race and Gender in Contemporary Hollywood Film (Sharon Willis) (Reviewed by Alison Landsberg, Wayne State University)
Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture (Robert Stam) (Reviewed by José Garcez Ghirardi, University of São Paulo, Brazil)
Love and Theft: Blackface Minstrelsy and the American Working Class (Eric Lott)
Bound and Gagged: Pornography and the Politics of Fantasy in America (Laura Kipnis)
(Reviewed by Lori Merish, Miami University)
Ghostlier Demarcations: Modern Poetry and the Material Word (Michael Davidson) (Reviewed by David Kellogg, Duke University)
The Language of Twentieth-Century Art: A Conceptual History (Paul Crowther) (Reviewed by John Rapko, University of California, Berkeley)
"Book Reviews ,"
3, Article 6.
Available at: http://digitalcommons.wayne.edu/criticism/vol40/iss3/6