The Medieval Theatre (Glynne Wickham) (Reviewed by Robert Edwards, State University of New York at Buffalo)The Left Hand of God: A Critical Interpretation of the Plays of Christopher Marlowe (John P. Cutts) (Reviewed by Roy Battenhouse, Indiana University)Oliver Goldsmith: His Life and Works (A. Lylcon Sells) (Reviewed by Morris Golden, University of Massachusetts, Amherst)The Arts Compared: An Aspect of Eighteenth-Century British Aesthetics (James S. Malek.) (Reviewed by Emerson R. Marks, The University of Massachusetts--Harbor Campus)The Poetry of John Clare: A Critical Introduction (Mark Storey) (Reviewed by Janet M. Todd, Douglass College--Rutgers University)In Radical Pursuit, Critical Essays and Lectures (W. D. Snodgrass) (Reviewed by Gertrude M. White, Oakland University)Surfiction: Fiction Now and Tomorrow (Raymond Federman) (Reviewed by Philip Stevick, Temple University)Literaturekritik in Theorie und Praxis (H. S. Daemmrich) (Reviewed by Alfred Schwartz, Wayne State University)
4, Article 6.
Available at: http://digitalcommons.wayne.edu/criticism/vol17/iss4/6